The horizon calls to us from every landscape — it's the golden line where ocean dissolves into sky at sunset, the sharp edge where mountain peaks cut through clouds, the endless stretch where desert meets atmosphere, the illuminated boundary of a city skyline at dusk. It marks both ending and beginning, separation and unity, the limits of what we can see and the invitation to imagine what lies beyond.
This international group exhibition brings together photographers drawn to these defining lines that shape our visual world. Some capture the drama of natural horizons — vast seascapes, mountain ridges, prairie expanses that seem to go on forever. Others find horizons in urban environments, where architecture creates new boundaries between earth and sky. Whether pursuing the literal meeting of elements or exploring the metaphorical sense of possibility and distance, each photographer responds to that fundamental human impulse to seek the edge, to find where one world becomes another.
Through landscapes that celebrate openness and scale, intimate studies of where light transforms at day's edge, urban compositions that redefine traditional boundaries, and abstract interpretations of line and space, these works reveal how horizons anchor us while simultaneously pulling us forward — reminding us of our place in vast systems while inspiring us to keep looking, keep moving, keep discovering what waits just beyond the visible edge.
Featuring artists: Aksel Oerbeck, Alejandro Gonzalez Nunez, Aliaksandra Markava, Andrea Chierici, Ariana Ferko, Barbora Koubková, Benedetta Manerchia, Carlos Biggemann, Dai Pan, Dan Donovan, Denis Borovskikh, Diego Cesar Monroy Chaparro, Dominique Bollinger, Fabiano Araujo, Frankie Xi, Gary Hill, Gilles Petit-Gats, Hüseyin Gün, Joan-Marie Abley, Johanna Elias Slim, John Probert, Jonas Dupps, Julia Guy, KH Yeh, Kip Harris, Louis Lau, Lucy Ray, Mantinieri, Matthew Gardiner, Nikita Evsuk, Prateek Agarwal, Quentin Jeandel, Raphael Eyraud, Ruth Holly, Sakinah Sulil, T. Karl Stelling, Wisdom Madunacho.

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